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CED Digest Vol. 3 No. 17 • 4/25/1998 |
From: "Ed Ellers" To: "Tom Howe" <ceds@teleport.com> Subject: Re: CED Digest Vol. 3 No. 16 Date: Sun, 19 Apr 1998 14:46:35 -0400 Jesse Skeen wrote: "I heard the 1981 Sears Catalog had a laserdisc version sent to those who had their players registered (And I'd eat dirt to have one of these!) but that's about it on the consumer end." That was a seasonal sale catalog -- *not* the big "Wish Book" -- and was only issued on disc for one region (those catalogs vary by region, and they didn't want to do more than one disc). I've seen this; a dealer in Louisville got hold of one and used to use it to demo LD players. "Oh well, those CD-V's (audio CD's with 20 minutes of audio only then on the outer part 5 minutes of analog CLV video with digital sound (no analog track) would've make neat sales tools, but that format never caught on." The format didn't, but nearly all CD/LD players will play CDV singles so it's not a matter of incompatibility. Actually the singles were popular for a while in Japan, but with only the video portion (no CD audio section). ------------------------------------------------------------------------ Date: Fri, 24 Apr 1998 11:28:47 -0700 From: Neil Wagner To: *CED Digest <ceds@teleport.com> Subject: Videodisc History Part 23 >From the August 1982 Popular Science - Optical disc can store an encyclopedia - Part 2 by John Free ------------------------------------------------------ New recorders capture images, computer data, or audio for instant playback ------------------------------------------------------ [Part 1 of this article appeared in the previous issue of CED Digest.] Terabyte Memory Mass storage with optical digital discs involves huge numbers. An optical disc can store about 50 billion bits per side. (A common data-storage term, the byte, requires eight bits, or the memory space for one alpha- numeric character.) International Resource Development, Inc., a Norwalk, Conn., consulting firm, recently con- trasted the capacities of optical discs with conven- tional storage. Costs and quantities needed for storing 100 billion bits of data are compared: Medium Quantity Cost ($) Magnetic disc 80 200-megabyte packs 40,000 Computer tape 90 tapes (2400', 6250bpi, 8trk) 1,350 High-density mag tape 2400' (2-in. tape) 100 Optical disc One 12-inch disc 10 The $10 cost of an optical disc is projected. Actually, only one firm at this writing is marketing optical discs. Drexler Technology (Mountain View, Calif.) charges several thousand dollars for its evalualation discs. The low price is foreseen with full-scale production in the mid-1980's. Hard magnetic discs are stacked for compactness and read with multiple heads for fast access to data. Manufacturers of optical-digital-disc sytems are devising jukebox-like packages, too. An optical scanner for each disc surface ensures split-second playback of data. Such stacked optical discs make campact terabyte (trillion byte) storage memories feasible. About 1000 optical discs should be able to store the contents of the National Archives. Video vs. digital While the technology going into optical discs is similar to that used for optical videodiscs, there are several important differences. The videodisc standardized by N.V. Philips and MCA starts with a glass master disc. A video signal, like that broadcast from TV stations, switches a sharply focused laser beam on and off. A spiral pattern of pits that vary in length is created on the master after processing. Additional steps provide metal discs used to stamp out the plastic Laservision copies sold in stores. During the produc- tion process, a speck of dust bigger than the micron-size (millionth of a meter) pits can contaminate a disc. In optical- disc players, a laser beam reflected from the spiral disc tracks creates light pulses of varying duration. The highly reflective metal area between the pits produces these pulses. That dust speck can screw up the video signal briefly. You might see it as a black scan line in the picture. The light flashes from the disc surface are actually decoded as a fre- quency-modulated (FM) signal by the player's electronic circuits. Now contrast the requirements and technology for an optical digital disc. The disc surface might have a thin coating of tellurium, an element that melts at relatively low temperatures. A solid-state laser in the recorder-player can deliver 50-mW bursts of light to melt pits in the metal. The signal to create these pits is in an on-off digital format, more condensed than video signals since it requires only the presence or absence of a short pit on the disc. The signal encoding these pits mught be a TV picture of a photo from an encyclopedia. In that case, a speck of dust on the disc might create an acceptable if irritating glitch in the picture. For computer data--say, a satellite-transmitted update of your credit-card records--however, that dust speck or micron-size blemish on the disc would be disastrous. To avoid data distortion, optical digital recorders use an error-detection technique. Philips, a pioneer in both video and digital optical discs, calls its monitoring method "DRAW" (direct read after write). Before it is encoded with data, part of the laser beam used to "burn" pits into a disc is split off. This second beam can be used to monitor what has just been written on the disc. By comparing this data with the original information, errors are detected. Another section of the disc can then be used to store the data again, and the computer keeping track of everything is programmed to "forget" the bad- data section. Research is also under way to find reliable techniques for storing digital information on videodiscs. For this, the digi- tal data might be encoded on a video signal before storage. This simplifies mass production. [Part 3 of this article will appear in the next issue of CED Digest.] -- Neil - nw1@gte.net ------------------------------------------------------------------------ From: "plc" To: <ceds@teleport.com> Subject: belt size for sgt100? Date: Fri, 24 Apr 1998 15:02:47 -0500 Hi, I need to know what size the belt that pulls the turntable on the SGT100 is? I found a player but it has no belt, not even a broken one. can you help? iceman@yournet.com
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